Work

A diary in ballpoint. Small flowers drawn on paper, each one stamped with the day it was made and often paired with a handwritten text. Alongside them, a larger work on bamboo paper that brings the water and light of Palm Shadows into a new material.

How do we remember, and can we trust what we recall? Drawn from the years she lived in Medellín, Colombia, Palm Shadows approaches memory as something shifting and unstable. Flowers, fruit, everyday objects and music return as emotional reconstructions, in ballpoint pen, without erasing. Handwritten texts in Spanish, Dutch and English are written directly on the drawings, through automatic writing.

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The second edition of the ongoing project Polly Express. Pollet turned the gallery into a launderette: a place of repetition, waiting and mental projection. Detergent boxes, folded cloths and spinning drums become drawings, objects and a light box, with playful references to the art canon.

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A former Brussels night shop, filled with ballpoint drawings of the products we buy without a second thought. The first edition of Polly Express questions consumption, temptation and the visual overload of brands and bright lights.

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Intimacy, identity, privacy and taboo in a hyper digitalised world. These series laid the foundation for the conceptual projects that followed.